#THE ART OF THE REFRAME HOW TO#

For Harvard Art Museums, there is an added challenge of being considered a museum only for Harvard University, which it is not. Inclusiveness has become paramount in the minds of museums over the past two years. This is another step in the РІР‚СљReFrameРІР‚Сњ process. In the spring, the Harvard Art Museums will launch an exhibition featuring the Brandywine Workshop, a group known for creating opportunities for artists of color who were not already working in print media.

#THE ART OF THE REFRAME HOW TO#

How to take the concerns of today and integrate them into the art of all eras? РІР‚Сљ Lee says, РІР‚СљIt shouldnРІР‚в„ўt just be about contemporary art and contemporary issues. While contemporary art has a plethora of diverse perspectives to consider, part of the РІР‚СљReFrameРІР‚Сњ initiative is to reassess art from all eras. Here, viewers get a glimpse of an artist at work, not just the results of his work. РІР‚СљUntitledРІР‚Сњ by Kerry James Marshall, believed to be a self-portrait, can also be found at the entrance to the museum. Lee says Wiley is one of the most requested artists for students, and while this piece is on a two-year temporary loan, the Energy is a perfect first glimpse of the museumРІР‚в„ўs offerings.

It replaces a Max Beckman triptych with similar vibration and energy. Kehinde WileyРІР‚в„ўs work РІР‚СљPortrait of Asia-Imani, Gabriella-Esnae and Kaya PalmerРІР‚Сњ welcomes spectators upon entering the Fogg Museum. In this first phase of the initiative, several of the works that visitors will encounter as soon as they enter the museums have been re-hung to represent artists of color. The idea of РІР‚вЂ№РІР‚вЂ№a cultural context РІР‚СљReFrameРІР‚Сњ arose from Makeda Best, Richard L.

The art of the reframe